UNSEEN BUT NOT UNREAD
Just finished my pitch for
Unseen as a movie. Still a few obvious improvements it wants, like setting a clock on the action, and a good reason why the bad guys who kidnapped Rebecca's mom don't just kill her, but now at least I have a coherent screen story.
It's long, though. Like 15 pages. "If I had more time, I would have written a shorter letter," as I think Cicero wrote to a friend.
I'm always daunted by the idea of reading it. I don't read my things until I've finished them because it's easy to get depressed about how good something isn't, and puttering with polishing the first half of something is an excellent way of never having a second half. And then I procrastinate reading the thing once it's done, 'cause what if it sucks? I'll give it a day or two.