ALLIGATORSComplications Ensue
Complications Ensue:
The Crafty Screenwriting, TV and Game Writing Blog




Archives

April 2004

May 2004

June 2004

July 2004

August 2004

September 2004

October 2004

November 2004

December 2004

January 2005

February 2005

March 2005

April 2005

May 2005

June 2005

July 2005

August 2005

September 2005

October 2005

November 2005

December 2005

January 2006

February 2006

March 2006

April 2006

May 2006

June 2006

July 2006

August 2006

September 2006

October 2006

November 2006

December 2006

January 2007

February 2007

March 2007

April 2007

May 2007

June 2007

July 2007

August 2007

September 2007

October 2007

November 2007

December 2007

January 2008

February 2008

March 2008

April 2008

May 2008

June 2008

July 2008

August 2008

September 2008

October 2008

November 2008

December 2008

January 2009

February 2009

March 2009

April 2009

May 2009

June 2009

July 2009

August 2009

September 2009

October 2009

November 2009

December 2009

January 2010

February 2010

March 2010

April 2010

May 2010

June 2010

July 2010

August 2010

September 2010

October 2010

November 2010

December 2010

January 2011

February 2011

March 2011

April 2011

May 2011

June 2011

July 2011

August 2011

September 2011

October 2011

November 2011

December 2011

January 2012

February 2012

March 2012

April 2012

May 2012

June 2012

July 2012

August 2012

September 2012

October 2012

November 2012

December 2012

January 2013

February 2013

March 2013

April 2013

May 2013

June 2013

July 2013

August 2013

September 2013

October 2013

November 2013

December 2013

January 2014

February 2014

March 2014

April 2014

May 2014

June 2014

July 2014

August 2014

September 2014

October 2014

November 2014

December 2014

January 2015

February 2015

March 2015

April 2015

May 2015

June 2015

August 2015

September 2015

October 2015

November 2015

December 2015

January 2016

February 2016

March 2016

April 2016

May 2016

June 2016

July 2016

August 2016

September 2016

October 2016

November 2016

December 2016

January 2017

February 2017

March 2017

May 2017

June 2017

July 2017

August 2017

September 2017

October 2017

November 2017

December 2017

January 2018

March 2018

April 2018

June 2018

July 2018

October 2018

November 2018

December 2018

January 2019

February 2019

November 2019

February 2020

March 2020

April 2020

May 2020

August 2020

September 2020

October 2020

December 2020

January 2021

February 2021

March 2021

May 2021

June 2021

November 2021

December 2021

January 2022

February 2022

August 2022

September 2022

November 2022

February 2023

March 2023

April 2023

May 2023

July 2023

September 2023

November 2023

January 2024

February 2024

June 2024

September 2024

October 2024

November 2024

 

Sunday, September 25, 2005

Scott the Reader's blog is "Alligators in a Helicopter," which is a shout out to Josh Friedman's "Snakes on a Motherf***ing Plane." According to this post about his job as a pro reader, they're still paying $50 a pop. Yikes. I think it was $40 back in 1987 when I was reading for Carolco. Might have been $45, even.

Reading scripts is not a bad job to have done because you read a lot of scripts. It's not a job you want to keep long, I feel. Since you don't work in the office, you don't make too many contacts. Since you don't work in an office, you don't see why some badly written scripts are worth making and other better written scripts are not. (I got fired for virulently punting a boring Horton Foote screenplay; Horton Foote won an Oscar for To Kill a Mockingbird and the script was intended as a Molly Ringwald project. It was still boring as digging post holes.) I'd say reading for more than 6 months is not helping your career; try to get at least an assistant job in an agency or development company or production company. On the other hand, better a job in showbiz than a job not in showbiz, so long as you have some time left over for your own work.

Labels:

3 Comments:

Another good job in Hollywood for screenwriter wannabe's is working for an independent distributor. If you're good then you get to go to Cannes or AFM or Hong Kong and set up the booth. The good thing is that you see how films are sold or put together financing and marketing wise. Some films have come about because a buyer in the suite made an offhand suggestion. Six months later it's a completed feature ready to be sold.

By Blogger Cunningham, at 8:26 PM  

I'd disagree, respectfully of course, with the contention that 6 mos is the max you should be a reader. I've been at it for a number of years (5 1/2? 6 1/2? I can't remember right now). I have not gone the assistant route because I don't want to be a producer or agent. I would say that were I to have been a reader full-time for those years I'd be way burnt out. But as a freelancer who also does other freelance jobs, I still think I learn from the job of reading, even after all this time. And I can still have time to write.

By Blogger Fun Joel, at 9:33 AM  

And just a brief, shameless plug, to say I've finally added my own comments on this topic over at my blog! Better Nate than Lever!

By Blogger Fun Joel, at 8:25 PM  

Post a Comment

Back to Complications Ensue main blog page.



This page is powered by Blogger.