AND, NOT THE REAL THINGComplications Ensue
Complications Ensue:
The Crafty Screenwriting, TV and Game Writing Blog




Archives

April 2004

May 2004

June 2004

July 2004

August 2004

September 2004

October 2004

November 2004

December 2004

January 2005

February 2005

March 2005

April 2005

May 2005

June 2005

July 2005

August 2005

September 2005

October 2005

November 2005

December 2005

January 2006

February 2006

March 2006

April 2006

May 2006

June 2006

July 2006

August 2006

September 2006

October 2006

November 2006

December 2006

January 2007

February 2007

March 2007

April 2007

May 2007

June 2007

July 2007

August 2007

September 2007

October 2007

November 2007

December 2007

January 2008

February 2008

March 2008

April 2008

May 2008

June 2008

July 2008

August 2008

September 2008

October 2008

November 2008

December 2008

January 2009

February 2009

March 2009

April 2009

May 2009

June 2009

July 2009

August 2009

September 2009

October 2009

November 2009

December 2009

January 2010

February 2010

March 2010

April 2010

May 2010

June 2010

July 2010

August 2010

September 2010

October 2010

November 2010

December 2010

January 2011

February 2011

March 2011

April 2011

May 2011

June 2011

July 2011

August 2011

September 2011

October 2011

November 2011

December 2011

January 2012

February 2012

March 2012

April 2012

May 2012

June 2012

July 2012

August 2012

September 2012

October 2012

November 2012

December 2012

January 2013

February 2013

March 2013

April 2013

May 2013

June 2013

July 2013

August 2013

September 2013

October 2013

November 2013

December 2013

January 2014

February 2014

March 2014

April 2014

May 2014

June 2014

July 2014

August 2014

September 2014

October 2014

November 2014

December 2014

January 2015

February 2015

March 2015

April 2015

May 2015

June 2015

August 2015

September 2015

October 2015

November 2015

December 2015

January 2016

February 2016

March 2016

April 2016

May 2016

June 2016

July 2016

August 2016

September 2016

October 2016

November 2016

December 2016

January 2017

February 2017

March 2017

May 2017

June 2017

July 2017

August 2017

September 2017

October 2017

November 2017

December 2017

January 2018

March 2018

April 2018

June 2018

July 2018

October 2018

November 2018

December 2018

January 2019

February 2019

November 2019

February 2020

March 2020

April 2020

May 2020

August 2020

September 2020

October 2020

December 2020

January 2021

February 2021

March 2021

May 2021

June 2021

November 2021

December 2021

January 2022

February 2022

August 2022

September 2022

November 2022

February 2023

March 2023

April 2023

May 2023

July 2023

September 2023

November 2023

January 2024

February 2024

June 2024

September 2024

October 2024

November 2024

 

Thursday, October 12, 2006

Jericho is beginning to pall already. We are now four days after the nuclear blasts and ... martial law has not yet been declared and people are still buying corn chips at the grocery? I don't think so. It would be interesting to imagine just exactly what an American town would be like after ten big American cities took a nuclear hit. But it doesn't feel like the writers have thought it through. They've come up with some dramatic situations that a massive attack might provoke. But they haven't figured out how such a shock would ripple through the fabric of society, I feel. And they haven't come to grips with how different things would be. They've got a gas station manager wondering if it's okay to part with some of his gas, because it belongs to the oil company, and the grocery store owner saying it wouldn't be right to pillage a crashed train for food supplies because "that doesn't belong to us."

Why is the only thing on TV an endless loop shot from somebody's TV camera? If anyone's broadcasting anything, why aren't they broadcasting more valuable information? Could it be because it makes a good visual?

How is it no one has a short wave radio? If Japan is still broadcasting, then you should be able to talk to ham radio people in Japan. How is it no one has a satellite hookup to the Internet? (The Internet was built to survive a nuclear attack. It automatically routes around damage unlike, say, the electrical grid.)

In my book, science fiction is best when it changes as little about our real world as possible. Add one science fictional element to our real lives and see how that changes us. Our world, plus nuclear bombs. That ought to be interesting enough, if you actually thought about where that would take us. It might be even interesting enough that you wouldn't need to make plots out of the Black Man with a Big Secret and the Rich Girl's Party.

Some of the other things I'm missing, oddly, are things I missed in early drafts of the show I consulted on. I wanted a strong sense of the town as a community. Not just preacher preaching in the church, but people actually doing things together. In a real town, the sheriff wouldn't be deputizing people 4 days after the attack because people would have been organizing themselves to take care of each other on Day One. There would have been locals outside the gas station with shotguns to make sure gas went only to emergency vehicles. There would have been locals outside the grocery store. There would have been a posse sent to empty that train with all the supplies, instead of one kid miraculously restocking the grocery store in the middle of the night without anybody noticing.

Instead of a town, we just have a collection of people who live in the same zip code. It's not excuse to say that TV handles two people in a room better than a group. Buffy regularly put seven people in a room, which is about all you can fit in a frame.

But worse, we have a collection of people without overall stories. People are reacting, but what do they want. The Pretty Blonde Girl wants her fiancée back, but she's doing nothing to contact him. What does the Mayor with the Flu want? I don't have a sense of clear stories unfolding, except for the now-sinister Black Man With a Secret.

And yet, to compare it to Friday Night Lights -- you have a clear sense of the town, and what it means to live there, and what all the characters want in their lives. Why couldn't the writers of Jericho have built their town in their heads a bit more before they started throwing stories at the whiteboard?

This could be such a rich show. It occasionally hints at the issues it could have delved into, like the brief conversation about torture. But no one seems to be doing the work.

4 Comments:

I saw an episode of this (the third one of the season, I think) and don't have a lot of desire to see any more. And I feel very shallow to say that my primary thought was that none of the actors/characters were hot.

See, it was bleak, but bleak is no problem for Battlestar Galactica--which of course, starts with a similar premise of isolated survival of a world-wide disaster.

But Jericho lacked--to use your words--an attractive fantasy. A compelling negative fantasy, no doubt, but nothing attractive about it. On BSG, the bleak near-destruction of the human race is slightly offset by the idea that if it happened, the survivors would include some kick-ass space fighter pilots, and some who are smokin' hot. Even the people on the BSG cast who are by no means sex symbols have compelling faces, memorable expressions, fascinating emotional displays--people you want to watch week after week. The cast of Jericho so far just looks dopey.

That, and the various subplots just seemed horned in. They seemed out of proportion, and it didn't seem like the writers knew how little, in the face of nuclear annihilation, we would care about someone owing back taxes. I was also annoyed by the music. It somehow came to the foreground, reminding us which parts were supposed to be tense, and which were supposed to be inspiring, or whatever.

Yeah. No more Jericho for me.

http://thirdreel.livejournal.com/

By Blogger Andrew, at 8:25 PM  

I agree. I didn't like it from the get go. Found it slow and really the only person two people who had any kind of spark were Gerald McRaney and the mysterious Lennie James. Honestly, I'm completely ambivalent about what happens to any of them.

And to continue our spiritual / religious musings of late, how do you name a show Jericho and not actually work the biblical symbolism into the storyline even a little? They could have done some interesting stuff there.

I won't be sorry to see it go. I'm done. I'd rather watch Dancing with the Stars. Seriously.

By Blogger ME, at 11:22 PM  

I agree with you 100 pecent on every point, Alex. Even though Jericho got the go ahead for a full season, I'm not sure I'll be sticking around that long. I mean, four days after a nuclear attack and half the town is drinking and playing cards or pool at the local pub? WTF?

KJC (who is following the Polish version of Dancing With the Stars because her friend, actor Peter J. Lucas, is competing)

http://p067.ezboard.com/fshowbizmediaservicesfrm44

By Blogger Kelly J. Crawford, at 1:27 PM  

Agreed. Jericho is a dissappointment. Its a fine idea just poorly executed in about every way. It feels like the wrtiers didn't think through the concept at all. Its just a setting for them, not the roots from which the story emanantes (ala BSG).

And I know this isn't exactly the thread but I just read your thoughts on Friday Night Lights and have to add that I am totally in love with this show. Just enthralled. The way you described its "reality" is exactly how I find myself trying to explain it to friends. It's just brilliant. Kyle Chandler is a revelation!

By Blogger Erica, at 4:27 PM  

Post a Comment

Back to Complications Ensue main blog page.



This page is powered by Blogger.