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Dead Things on Sticks: Denis McGrath is on fire in Toronto.
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Kay Reindl From the heart of Tee Vee.
Jill Golick blogs about pilots.
By Ken Levine: Top sitcom dude (M*A*S*H, Cheers, Simpsons, Frasier). He knows.
The Artful Writer: Thought-provoking posts for pro writers from a WGA honcho.
What It's Like by Lisa Klink. Credit list as long as your arm.
How to Buy Art. Lisa Hunter blogs intelligently and wittily about the art market. And you can ask her questions.
Victoria Lucas is one of the rare development people who understand how scripts really work, and can show you how
to make yours structurally better. I treasure her insights. You will too.
Social Security Administration: Most popular names by year.
Name Trends: Uniquely popular names by year.
Doris Egan's LiveJournal. House, Tru Calling, etc.
Creative Screenwriting. Podcasted interviews with fascinating screenwriters.
John August: Screenwriter of Charlie's Angels and Big Fish.
DISC/ontent: blogs about direct to DVD movies. Bracing.
Ni vu ni connu: Martine Page is a working Montreal screenwriter
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The Thinking Writer: Jon Deer went through pretty much the same mill I did, and has a lot of helpful stuff to say.
Fun Joel: Joel's a professional script reader. In other words, he'll be reading your script. So listen to what he says.
Chad Gervich's Script Notes. Writer's Digest-sponsored site from a veteran development executive.
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Amanda the Aspiring Writer. Amanda works at an Agency. Go Amanda!
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Bluestocking LA - The Life and Times of a Writer and New Mom in LA Andy Coughlan is writing screenplays and producing short films. Scriptland: series in the LA Times. The Onion AV Club and its archives.
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Kody Chamberlain. Nice, really gruesome art.
Glenn Hauman, assistant editor on Grimjack and others...
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American Amazon:
Tuesday, May 01, 2007
I'm reading the pilot for Touchstone TV's MARLOWE, which a friend was kind enough to send. It opens like this:EXT. LOS ANGELES - 101 FREEWAY - DAY
I'm driving. The sprawling smog carpet sweeps out from the horizon and swallows Hollywood in one gulp.
Thermals rise in wavy lines from the pavement appearing to shake the skyline in the distance as THE RADIO tells us all it's the 13th of 13 straight days over 100 degrees. Signs point to exits along the way: Alvarado
MARLOWE (V.O.)
I used to like L.A. I don't know exactly when it changed. I guess maybe it's like any meaningful relationship. If you poke around in the dirty details of it long enough you find things you wish you hadn't.
[snip]Cahuenga. I click my turn signal. It flashes amber light in the darkness, lighting up the fool's face in the rearview mirror who looks right back at me.
The script is written in the first person.
Insane. And, really, kind of distracting. The baroque prose gets in your head, and you're appreciating the style, instead of seeing images in your mind's eye. And why isn't the radio dialogue written out?
But it gets your script passed around. It's a bold choice, it's so Raymond Chandler, and it conveys something that the usual action description might not. So it's artistically motivated even if, strictly, it's kind of a pain in the ass.
This wasn't a spec pilot. But it could have been. And then it would have been a stunt spec.
If you have an idea for a really great stunt spec, it might be worth going for it, especially if you've got some solid specs already. Generally the stunt isn't in the style of writing, but in the outrageous concept: Mary Richards comes out as a lesbian, House gets a ditzy new intern named Meredith Grey, etc. But a stunt could be anything that gets people to notice.
With a stunt, you might go down in flames creatively, but then you don't have to send it out. If you score, you wind up with a script that people read for the sheer joy of reading something good and new. And nothing gets you in the door faster than a script someone reads for love.Labels: breaking in, spec pilots
1 Comments:
of course, shouldn't the character name have read:
ME (V.O.)
I used to like L.A...By
deepstructure, at 7:47 PM
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I was interviewed on WNYU.
And on CKUT.
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