Sound EditingComplications Ensue
Complications Ensue:
The Crafty Screenwriting, TV and Game Writing Blog




Archives

April 2004

May 2004

June 2004

July 2004

August 2004

September 2004

October 2004

November 2004

December 2004

January 2005

February 2005

March 2005

April 2005

May 2005

June 2005

July 2005

August 2005

September 2005

October 2005

November 2005

December 2005

January 2006

February 2006

March 2006

April 2006

May 2006

June 2006

July 2006

August 2006

September 2006

October 2006

November 2006

December 2006

January 2007

February 2007

March 2007

April 2007

May 2007

June 2007

July 2007

August 2007

September 2007

October 2007

November 2007

December 2007

January 2008

February 2008

March 2008

April 2008

May 2008

June 2008

July 2008

August 2008

September 2008

October 2008

November 2008

December 2008

January 2009

February 2009

March 2009

April 2009

May 2009

June 2009

July 2009

August 2009

September 2009

October 2009

November 2009

December 2009

January 2010

February 2010

March 2010

April 2010

May 2010

June 2010

July 2010

August 2010

September 2010

October 2010

November 2010

December 2010

January 2011

February 2011

March 2011

April 2011

May 2011

June 2011

July 2011

August 2011

September 2011

October 2011

November 2011

December 2011

January 2012

February 2012

March 2012

April 2012

May 2012

June 2012

July 2012

August 2012

September 2012

October 2012

November 2012

December 2012

January 2013

February 2013

March 2013

April 2013

May 2013

June 2013

July 2013

August 2013

September 2013

October 2013

November 2013

December 2013

January 2014

February 2014

March 2014

April 2014

May 2014

June 2014

July 2014

August 2014

September 2014

October 2014

November 2014

December 2014

January 2015

February 2015

March 2015

April 2015

May 2015

June 2015

August 2015

September 2015

October 2015

November 2015

December 2015

January 2016

February 2016

March 2016

April 2016

May 2016

June 2016

July 2016

August 2016

September 2016

October 2016

November 2016

December 2016

January 2017

February 2017

March 2017

May 2017

June 2017

July 2017

August 2017

September 2017

October 2017

November 2017

December 2017

January 2018

March 2018

April 2018

June 2018

July 2018

October 2018

November 2018

December 2018

January 2019

February 2019

November 2019

February 2020

March 2020

April 2020

May 2020

August 2020

September 2020

October 2020

December 2020

January 2021

February 2021

March 2021

May 2021

June 2021

November 2021

December 2021

January 2022

February 2022

August 2022

September 2022

November 2022

February 2023

March 2023

April 2023

May 2023

July 2023

September 2023

November 2023

January 2024

February 2024

June 2024

September 2024

October 2024

November 2024

December 2024

 

Tuesday, July 10, 2007

Spent a few hours with a sound guy doing the sound editing on my short. He had a lot of proposed audio slotted in -- stings and whooshes, background noises, ambient sounds. I spent a couple hours responding to them -- this one I liked, this one is no good, this one needs to be less swishy and more whooshy. And we did some fun little audio gags, like where the film freeze-frames, letting the score slow down to a halt, rather than just cutting out.

What amazes me is that this all took about two hours. Based on his amazing speed while I was in the room with him, I'm going to guess all the sound editing on this film will take up maybe eight hours.

I spent three months building the sound on my student film back in the day, cutting and splicing bits of mag film. Sure, that was a longer film, but man! Just to take the soundtrack-slows-down gag I mentioned -- that we did in about a minute. In my student days I would have had to set up a tape recorder, then played back the soundtrack on another tape player, and then physically slowed it down. Then dub that to mag film. Then splice it in. And if that didn't work, doing it again.

I'm feeling very good about the film. Some of the sound problems I thought were going to be serious just went away. ("Oh yeah, the bar upstairs was only on the boom mike track, not the wireless mikes. So we just used the wireless mikes.") While sound guys are always bitching that directors ignore their complaints on set ("we'll fix it in post"), my impression is that I could have ignored our sound guy a little more. He was doing a better job than he realized.

Tomorrow we're going into the mix. End of the day, our film is ... done!

UPDATE:
Q. And then what?
Then we take it to a billion festivals. And air it on Bravo in Canada. And see if any networks in the States want it.

Eventually it will hopefully wind up on Moviola, or some other paying short film venue on the Net. And y'all can see it!

Labels: , , ,

1 Comments:

Yeah, I'd say that computers have changed everything for me except for the fact that I don't know anything else. I'm spoiled.

Sorry if you've already mentioned this but I couldn't see it in any of the posts tagged "short": So after the film's done what's next? I'm assuming you're sending it on a whirlwind tour of all the festivals you can; but are you going to be putting it on youtube or some other website for the rest of us to see?

It would be really interesting, especially after following this short for the last few months.

By Blogger Jason Sanders, at 6:07 PM  

Post a Comment

Back to Complications Ensue main blog page.



This page is powered by Blogger.