Complications Ensue: The Crafty TV and Screenwriting Blog


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Kay Reindl From the heart of Tee Vee.

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By Ken Levine: Top sitcom dude (M*A*S*H, Cheers, Simpsons, Frasier). He knows.

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What It's Like by Lisa Klink. Credit list as long as your arm.

How to Buy Art. Lisa Hunter blogs intelligently and wittily about the art market. And you can ask her questions.

Victoria Lucas is one of the rare development people who understand how scripts really work, and can show you how to make yours structurally better. I treasure her insights. You will too.

BabyName Wizard NameVoyager

Social Security Administration: Most popular names by year.

Name Trends: Uniquely popular names by year.

Will Dixon.

Doris Egan's LiveJournal. House, Tru Calling, etc.

Creative Screenwriting. Podcasted interviews with fascinating screenwriters.

John August: Screenwriter of Charlie's Angels and Big Fish.

DISC/ontent: blogs about direct to DVD movies. Bracing.

Ni vu ni connu: Martine Page is a working Montreal screenwriter

Danny Stack, chipping away at his keyboard across the Pond.

The Thinking Writer: Jon Deer went through pretty much the same mill I did, and has a lot of helpful stuff to say.

Fun Joel: Joel's a professional script reader. In other words, he'll be reading your script. So listen to what he says.

Chad Gervich's Script Notes. Writer's Digest-sponsored site from a veteran development executive.

The Legion of Decency. A producer's blog!

Alligators in a Helicopter by Scott the Reader.

Shouting into the Wind. Showbiz news'n'gossip.

Screenplay Europe: Reports on festivals, grants, and other Euro bon-bons.

Scrivenor's Error: Legal issues involved in writing.

The Futon Critic: What's in development? What's on TV?

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TV, Eh?What's doing on Canadian TV.

EntertainmentCareers.Net: Looking for a job in the biz?

ShowBizJobs.Com: Ditto.

Amanda the Aspiring Writer. Amanda works at an Agency. Go Amanda!

101. My intrepid assistant's blog.

Bluestocking LA - The Life and Times of a Writer and New Mom in LA

Creatively Progressing

Andy Coughlan is writing screenplays and producing short films.

Shouting into the Wind.

NY Times / Arts / Television

Scriptland: series in the LA Times.

Daily Variety

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Famous Films Re-Enacted by Bunnies in 30 Seconds

The ComicBloc.

Andy Diggle. A great entertainer, a great humanitarian, and a personal friend of Johanna Constantine.

Justin Gray. A great entertainer, a great humanitarian, and a personal friend of Jonah Hex. Er, if anyone is.

Kody Chamberlain. Nice, really gruesome art.

Glenn Hauman, assistant editor on Grimjack and others...

David Bishop, who is trying to make the leap to the screen...

Reverse Dictionary Search: "What's that word that means....?"

Most Popular Baby Names by Year, courtesy the Social Security Administration

Baby Name Voyager graphs baby name frequency by decade.



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Saturday, March 15, 2008

Q. I wrote a play which contains a Superman-type superhero. I understand that I can protect this play through the copyright office or the Guild. But, will this also protect my superhero? Or, would I need to copyright my hero separately?
As I've written in my book, registering your work with the Library of Congress gives you much stronger protection than registering it with either Guild.

Copyright protects the expression of your idea, which includes characters. No one can put Harry Potter in their own novel or movie without permission of J. K. Rowling. It does not protect the basic idea, e.g. 14-year-old wizard fights evil dead wizard with the help of his disturbingly hot 14-year-old female wizard friend.

You'll note that D&D had "orcs" but not "hobbits." That's because "orc" is an old English word for a goblin, and therefore not copyright-able, as is "halfling," but "hobbit" was an invention of J. R. R. Tolkien. Although D&D borrowed heavily from THE LORD OF THE RINGS, it kept away from his characters, and his invented character classes. (Which does not prevent you from putting Shelob in your home game.)

Once the merchandising companies get involved, they tend to also trademark characters. Superman is trademarked. The big "S" logo is trademarked. The bat logo of Batman is trademarked. If you make action figures, you'll trademark them in addition to copyrighting the text you wrote about them.

Now: how the hell are you going to make your character in your play fly?

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6 Comments:

I've never understood why TSR stayed away from "hobbit" but felt free to include the Melnibonean mythos in the first "Deities and Demigods" without clearing the rights. See: http://en.wikipedia.org/wiki/Elric#Adaptations

By Blogger Webs, at 2:16 PM  

Because Melniboné is REAL, of course!

By Blogger Alex Epstein, at 4:27 PM  

They didn't actually stay away from hobbits. The terms Hobbit, Balrog, and Ent were used in the earliest printings of the game, but were changed to Halfling, Balor, and Treant when they heard from the Tolkien estate.

Likewise, later printings of Dieties and Demigods removed the Melnibonean and Lovecraftian sections of that book, in response to legal threats.

By Blogger Alan Scott, at 11:12 PM  

Sandy Duncan flew around stage for several years in PETER PAN.

Those theater folk are a crafty bunch.

By Blogger Cunningham, at 2:25 AM  

what about the self-adressed postmarking thing? Is there any real protection if you mail a script to yourself and keep it sealed w/a postmark?

By Blogger Lokier, at 9:46 PM  

Not really, Lokier. It's hard to prove you didn't send yourself an unsealed envelope and then put something in it later.

By Blogger Alex Epstein, at 9:44 AM  

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