Because I Said So, That's WhyComplications Ensue
Complications Ensue:
The Crafty Screenwriting, TV and Game Writing Blog




Archives

April 2004

May 2004

June 2004

July 2004

August 2004

September 2004

October 2004

November 2004

December 2004

January 2005

February 2005

March 2005

April 2005

May 2005

June 2005

July 2005

August 2005

September 2005

October 2005

November 2005

December 2005

January 2006

February 2006

March 2006

April 2006

May 2006

June 2006

July 2006

August 2006

September 2006

October 2006

November 2006

December 2006

January 2007

February 2007

March 2007

April 2007

May 2007

June 2007

July 2007

August 2007

September 2007

October 2007

November 2007

December 2007

January 2008

February 2008

March 2008

April 2008

May 2008

June 2008

July 2008

August 2008

September 2008

October 2008

November 2008

December 2008

January 2009

February 2009

March 2009

April 2009

May 2009

June 2009

July 2009

August 2009

September 2009

October 2009

November 2009

December 2009

January 2010

February 2010

March 2010

April 2010

May 2010

June 2010

July 2010

August 2010

September 2010

October 2010

November 2010

December 2010

January 2011

February 2011

March 2011

April 2011

May 2011

June 2011

July 2011

August 2011

September 2011

October 2011

November 2011

December 2011

January 2012

February 2012

March 2012

April 2012

May 2012

June 2012

July 2012

August 2012

September 2012

October 2012

November 2012

December 2012

January 2013

February 2013

March 2013

April 2013

May 2013

June 2013

July 2013

August 2013

September 2013

October 2013

November 2013

December 2013

January 2014

February 2014

March 2014

April 2014

May 2014

June 2014

July 2014

August 2014

September 2014

October 2014

November 2014

December 2014

January 2015

February 2015

March 2015

April 2015

May 2015

June 2015

August 2015

September 2015

October 2015

November 2015

December 2015

January 2016

February 2016

March 2016

April 2016

May 2016

June 2016

July 2016

August 2016

September 2016

October 2016

November 2016

December 2016

January 2017

February 2017

March 2017

May 2017

June 2017

July 2017

August 2017

September 2017

October 2017

November 2017

December 2017

January 2018

March 2018

April 2018

June 2018

July 2018

October 2018

November 2018

December 2018

January 2019

February 2019

November 2019

February 2020

March 2020

April 2020

May 2020

August 2020

September 2020

October 2020

December 2020

January 2021

February 2021

March 2021

May 2021

June 2021

November 2021

December 2021

January 2022

February 2022

August 2022

September 2022

November 2022

February 2023

March 2023

April 2023

May 2023

July 2023

September 2023

November 2023

January 2024

February 2024

June 2024

September 2024

October 2024

November 2024

 

Thursday, May 01, 2008

The Tories have obviously got sick of hearing how Bill C-10 is a bass-ackwards way of imposing censorship while crippling the whole tax credits system on which the Canadian motion picture industry relies. So rather than fixing the bill, they just made it a confidence measure in Parliament:
OTTAWA — Finance Minister Jim Flaherty is declaring film tax-credit legislation a matter of confidence in the Conservative government, meaning MPs could land on Canadian doorsteps this spring to debate the line between art and pornography.

Mr. Flaherty said the legislation, known as Bill C-10, contains a range of important tax measures and changes will not be tolerated.

"The bill should not be amended," he told reporters yesterday. "A tax bill is a confidence bill. We all know that."
A confidence bill (for those of who you are subjects of the Unitary Executive) means that if the opposition votes it down, the government falls. The Liberals aren't ready for an election, so they probably won't have the balls to vote C-10 down.

So we'll get sneaky, bass-ackwards, financially crippling censorship.

Labels:

15 Comments:

Well fuck me sideways.

By Anonymous Anonymous, at 5:05 PM  

This simply leaves me feeling enraged.

Perhaps writing a letter would be more effective/civilized, but after reading the article I immediately called the offices of a Conservative Calgary MLA and left a message.

"...as a young person working in the film and television industry...fuck you for gambling with my future."

By Blogger creeboy, at 5:41 PM  

Having the Liberals as the official opposition is as good as having a majority government for the Conservatives. Who knew they would last this long? While I understand the Liberals aren't ready, they aren't doing themselves any favours by continuing to prop up this awful government. Are they driving vote away from their party? Unfortunately, you either vote for them or for the Green party or NDP, which means splitting the vote and giving the Conservatives a better chance to get back in power.

Perhaps a call/letter/email to the Liberal party might have more effect. Tell them you'll vote Green if they support the bill. Film industry people live in urban centres, which is currently the lifeblood of the Liberals. Conservatives don't have to listen to film industry people because they don't/won't vote for them. Liberals, on the other hand, will be biting the hand that feeds them.

By Blogger Tim W., at 6:42 PM  

I can understand the Conservative Party's willingness to let Canada become a cultural backwater; conservatives (in many places) seem to place little value on art or culture.

But aren't conservative parties also supposed to be pro-business? This sort of thing seems designed to break both art and business. Do they really want Canadaian film to become a cultural backwater that's not good for anything except providing the US film industry with an imitation Seattle (Vancouver) and a discount New York (Toronto)? With the US dollar in the toilet, the cost advantages of using Canadian cities as budget replicas of US cities has faded. With that reducing US-backed production in Canada, and this bill threatening home-grown production, it's as if they're trying to kill the entire industry.

If I were Canadian, I'd be tempted to build a test case: submit a script along the lines of a reverent docu-drama about a Conservative hero to the film board, then revise it during production to portray the hero as a villain or buffoon. (But maybe test cases don't work like that in Canada; I must admit my ignorance on Canadian laws about political censorship.)

I guess the Conservatives have seen how stupid the US right wing is, and want to try to catch up with them.

By Blogger Unknown, at 7:24 AM  

The Bass-tiches!

By Blogger Rusty James, at 1:55 PM  

I hope C-10 gets passed. The film and TV industry in Canada sucks anyway. Who watches the shows we make up here? Robson Arms, jPod, Trailer Park Boys? Garbage. You ask any random person on the street if they've ever tuned in to any of these more than once, they may say "yes" to please you. But rest assured, they would rather watch something GOOD instead. I hate these shows. You can call them "cutting edge" and "irreverent" all you like, but that won't make them any better. They're not the kind of entertainment I want in my head, or in my kids' heads. I love my kids too much to subject them to such ugliness. These shows don't represent the Canada I grew up in, the one my father and grandfather fought for. I'm not talking Corner Gas here. We can do something good, if we have to.

Most people can smell garbage film and garbage TV a kilometer away, and they'll turn away in a heartbeat. You people actually IN the industry, you either plug your noses and keep smiling like it doesn't stink just so you'll get your share of the dole, or you simply can't smell it anymore 'cause you're rife with it yourselves. Trust me, I've met you at parties. You're all starting to smell the same.

All of you out there bawling about C-10 are just worried your easy access to fund-money will dry up. Or, worse yet, you might have to work on and present a project that actually has substance, some real art to it, in order to get at this money. If it wasn't for these funding agencies spoon-feeding you, there wouldn't be a TV or film industry in Canada. In fact, there really isn't anyway. If we can't tell good stories well - but instead we bow to officiating bodies to get our daily bread - then we don't deserve to work in film or TV. Not here. Let it die if it can't feed itself.

And the filth we're churning out every year is far from a point for your side of this argument. Our country is the best country in the world. It didn't become that on its own. It took brave people striving to do great things, all the while fighting the constant undercurrent of mediocrity threatening to swamp us. And we're almost swamped now. C-10? Go for it. Can't make a bad thing better if you don't try; and bad things only get worse if we do nothing. Those of you bawling about C-10? That it hurts your livelihood? Good. Maybe now you'll make something worth watching.

By Blogger Canuck Writer, at 7:18 PM  

Sorry, it's late. Make that link for the romantic comedy blog http://thebrideandthegrooms.blogspot.com

By Blogger Butch Maier, at 2:40 AM  

Let's not let them take OUR Canada and turn it into ONLY THEIRS - whether it's Corner Gas, Trailer Park Boys, or Degrassi; I'm itching for a fight to defend whoever has the balls to make film and television - Good OR Bad.

By Blogger Rusty James, at 10:25 AM  

But these shows are not OURS or THEIRS, they're YOURS. The argument that "it's art, don't interfere with art" - is fine and true when art speaks for the people and for the times. That's what great art is; it's what we need to strive for. Bad art speaks only for the artist. And much of what gets public funding is bad art which hasn't represented OUR Canada for a long, long time.

Television is a commercial medium – just read Alex Epstein's "Crafty TV Writing". The premise of his entire book is to help you make quality, marketable shows. Nobody is stopping you from engaging in your craft. If it is of quality and is marketable, then you will make a living at it. If not, you won't. Right now, you are making a living either way. And everyone in Canada is paying for it. It's said that nobody sets out to make a bad film. Here in Canada, we'll just make something, good or bad? That's the essence of mediocrity. And it should be a thing of the past.

The funding bodies need to be held accountable for years of questionable decision-making and near-incestuous self-governance. Very few people in key positions decide which projects receive money, and which do not. Passing Bill C-10 expands this responsibility beyond these individuals, in the hopes that all of our voices will be heard, not just the industry's.

By the way, you created highly appropriate imagery of the entire Canadian film and TV industry by placing "itching" and "balls" in the same sentence.

By Blogger Canuck Writer, at 12:54 PM  

Dear Canuck writer (a handle I sincerely doubt) shows his credibility and bias by doing exactly what Jim Shaw does: pointing to success and claiming failure.

It's okay to express a personal preference and say, "hey, I hate Trailer Park Boys and Corner Gas." But you use them as examples of failure.

When by measure of return vs. expense, viewership, media attention, ratings and personal appearance buzz -- both of those shows are big successes.

You speak for "Canadians" and yet you discount the consistent viewing preference of 2 million people a week.

Your argument is muddleheaded and ax-based. There are plenty of problems with the Canadian film and television industry. C10 will fix absolutely none of them. And anyone who'll count success as failure deserves to have their opinion discounted as the ill-informed, kneejerk thing that it is.

By Blogger DMc, at 1:57 PM  

I hate these shows. You can call them "cutting edge" and "irreverent" all you like, but that won't make them any better. They're not the kind of entertainment I want in my head, or in my kids' heads. I love my kids too much to subject them to such ugliness. These shows don't represent the Canada I grew up in, the one my father and grandfather fought for.

You know, I love nostalgia. It worked great for the 70's and 80's - heck even the 90's are starting to feel that gentle lull.

But I'm sorry Canuck, the Canada you grew up in is long gone.

Though I'm left to wonder where your scathing remarks for Little Mosque On The Prairie are? Surely that's a show that would appeal to you (based off of what you so happily claim to hate).

Hey, this is a free country, you're entitled to your opinions and I'm not going to slag you on them - but I will say this: it really seems like you don't quite understand what Bill C-10 is all about. Believe me, if Canada had the kind of numbers or money kicking around to support a thriving TV and Film industry on its own we certainly wouldn't need Government money.

But that market just doesn't exist right now. Certainly not in any way that is self-sustainable. Hey, if you know something I don't, please feel free to share, but you work with what you've got in the end. If you've got private money you wanna throw in, by all means, I'll take it - as would pretty much anyone else. But it's just not there.

Tho' from reading your comments I find myself asking: are you saying that all us aspiring Canadian writers should head to another country to make a living? Or would you prefer that we all started digging ditches like in the old days?

By Blogger Brandon Laraby, at 11:20 PM  

I gotta weigh in here. "Canadian Writer," you're missing the point. C-10 could kill off most of the successful Canadian movies. BON COP / BAD COP would not have got made under the regime (too risqué). Nor would most of this year's Oscar nominees, had they been Canadian. Nor would Brokeback Mountain. No bank would have taken a shot.

The only kind of movie I would bank, if I were a bank, would be Anne of Green Gables IV. Is that the Canada your grandfather fought for? Because that's not the Canada I live in.

By Blogger Alex Epstein, at 11:25 PM  

The thing that's truly evil about C-10 isn't that it kills subsidies for the Canadian film industry. One can reasonably argue the position that Canadian film industry can survive without the grants. One can also argue that if it can't survive without the grants, it doesn't deserve to survive.

(I think the Canadian film industry can survive without the grants, although losing them would hurt a lot. So although I think it's a reasonable debate point, I think the grants are a good idea. The US government disagrees, but many US states and local governments offer similar supports to the film industry; I live near Seattle and I know that both Seattle and Washington state support their film industries. But what's at issue with C-10 isn't just a yes-or-no to grants.)

What's wrong with the bill is that it continues the grants, but makes them conditional on satisfying the whims of officials in a government agency. That's bad enough, but what's truly wrong with it is that the agency can make a grant, then withdraw the money if the agency decides it doesn't like the finished work -- after the grant has been spent.

If the bill merely allowed the agency to demand return of a grant if the film-makers produced something that differed from the proposal to a degree that amounted to a breach of the grant's contract, that would be reasonable. But the agency can demand the money back if it doesn't like it, for its own political reasons. That's wrong. That's censorship.

By Blogger Unknown, at 5:09 AM  

And it's causing a filmmaker to be 500,000 bucks in the ditch.

By Anonymous Anonymous, at 2:36 PM  

This cbc.ca article was brought to my attention a few minutes ago.

http://tinyurl.com/5ocraq

-Dave

By Blogger Dave Olden, at 1:44 AM  

Post a Comment

Back to Complications Ensue main blog page.



This page is powered by Blogger.