Drama Writing Workshops in Quebec, April 3 and 5Complications Ensue
Complications Ensue:
The Crafty Screenwriting, TV and Game Writing Blog




Archives

April 2004

May 2004

June 2004

July 2004

August 2004

September 2004

October 2004

November 2004

December 2004

January 2005

February 2005

March 2005

April 2005

May 2005

June 2005

July 2005

August 2005

September 2005

October 2005

November 2005

December 2005

January 2006

February 2006

March 2006

April 2006

May 2006

June 2006

July 2006

August 2006

September 2006

October 2006

November 2006

December 2006

January 2007

February 2007

March 2007

April 2007

May 2007

June 2007

July 2007

August 2007

September 2007

October 2007

November 2007

December 2007

January 2008

February 2008

March 2008

April 2008

May 2008

June 2008

July 2008

August 2008

September 2008

October 2008

November 2008

December 2008

January 2009

February 2009

March 2009

April 2009

May 2009

June 2009

July 2009

August 2009

September 2009

October 2009

November 2009

December 2009

January 2010

February 2010

March 2010

April 2010

May 2010

June 2010

July 2010

August 2010

September 2010

October 2010

November 2010

December 2010

January 2011

February 2011

March 2011

April 2011

May 2011

June 2011

July 2011

August 2011

September 2011

October 2011

November 2011

December 2011

January 2012

February 2012

March 2012

April 2012

May 2012

June 2012

July 2012

August 2012

September 2012

October 2012

November 2012

December 2012

January 2013

February 2013

March 2013

April 2013

May 2013

June 2013

July 2013

August 2013

September 2013

October 2013

November 2013

December 2013

January 2014

February 2014

March 2014

April 2014

May 2014

June 2014

July 2014

August 2014

September 2014

October 2014

November 2014

December 2014

January 2015

February 2015

March 2015

April 2015

May 2015

June 2015

August 2015

September 2015

October 2015

November 2015

December 2015

January 2016

February 2016

March 2016

April 2016

May 2016

June 2016

July 2016

August 2016

September 2016

October 2016

November 2016

December 2016

January 2017

February 2017

March 2017

May 2017

June 2017

July 2017

August 2017

September 2017

October 2017

November 2017

December 2017

January 2018

March 2018

April 2018

June 2018

July 2018

October 2018

November 2018

December 2018

January 2019

February 2019

November 2019

February 2020

March 2020

April 2020

May 2020

August 2020

September 2020

October 2020

December 2020

January 2021

February 2021

March 2021

May 2021

June 2021

November 2021

December 2021

January 2022

February 2022

August 2022

September 2022

November 2022

February 2023

March 2023

April 2023

May 2023

July 2023

September 2023

November 2023

January 2024

February 2024

June 2024

September 2024

October 2024

November 2024

December 2024

 

Friday, March 06, 2009

The Writers Guild of Canada (WGC) and CBC proudly invite Quebec-based screenwriters to participate in In The Writers’ Room, a Drama workshop series, presented in partnership with the Mel Hoppenheim School of Cinema (Concordia University). This two-part pilot initiative will take place on April 3 and 5, 2009 in Montreal.

In The Writers’ Room kicks off on April 3 at CBC with the Drama Clinic: Analysing Heartland, led by series writers Leila Basen and David Preston. This 3-hour session will offer a screening of an episode of the hit CBC TV series Heartland, followed by an in-depth look at the creative process behind its success. This free event is open to all students, emerging and seasoned writers.

Drama Clinic: Analysing Heartland with Leila Basen and David Preston
Friday, April 3, 2009 at 6:00 pm
CBC (La Maison Radio-Canada), 1400 René-Lévesque Blvd East
RSVP : Anne-Marie Perrotta

For the second part of In the Writers’ Room, the WGC and CBC invites writers across Quebec to submit their projects for a chance to attend an exclusive Drama Writing Master Class on April 5 lead by award-winning screenwriters Laurie Finstad-Knizhnik (Durham County) and Bruce M. Smith (Prairie Giant: The Tommy Douglas Story, The Sleep Room). This call for submissions is open to up-and-coming screenwriters who have created and are working on one-hour TV drama series. This one-day intensive workshop will help selected participants develop their skills in drama series analysis. Master Class members will receive in-depth critiquing of their projects, bringing them one step closer to being pitch ready for producers and broadcasters. Interested candidates are asked to fill out the submission form and attach all requested documents. The Drama Writing Master Class will be held at the Mel Hoppenheim School of Cinema at Concordia University and is free of charge.
Drama Writing Master Class with Laurie Finstad-Knizhnik and Bruce M. Smith

Sunday, April 5, 2009 at 10:00 am
Mel Hoppenheim School of Cinema (Concordia University),1250 Guy Street, Room FB449
For more on eligibility details, proposal requirements, and submission form, please visit www.wgc.ca.
Only selected participants will be contacted by or before March 23, 2009.
This is a real opportunity for writers at any level, but if you're an aspiring writer, you really shouldn't miss these seminars.

Labels: ,

4 Comments:

A three-hour seminar about the CBC series “Heartland” really, I love you to death Alex, but really.

Three-hours on “Heartland”? Why?

I hate posting on the net about anything…but, really?

They got a show on Canadian TV (an amazing feat and they should be praised for it) but three hours?

I attended a WGA (full disclosure…I am member of the WGA and not the WGC…and now I know why) seminar in LA about the “West Wing” in early 2005 and that was just two hours. Aaron Sorkin was present, praise be his name. He showed clips, talked and everyone left happy.

Three-hours for “Heartland”? How long would the seminar for “The Beachcombers” be? A four-year accredited degree.

You see why know I try not to comment about anything on the net.

I love Canada. The nation of my birth that I will never leave, but this is why I hate “being” Canadian …a three Hour seminar about a semi-successful one hour show. Not a groundbreaking, format changing, revolutionary TV series. It won’t even make it to syndication.

Once again I apologies…but really.

By Blogger DJ, at 12:49 PM  

Don't be such a snob. HEARTLAND may be about girls and horses, but it is a very well crafted, very watchable show about girls and horses. If I had created it, I would have something to be proud of.

But more importantly, it's three hours on HEARTLAND by the creators. You think you can only learn from the creators of ground-breaking shows? 90% of the lessons from HEARTLAND apply to BATTLESTAR GALACTICA or MAD MEN. All three shows no doubt struggled with hook, template, dynamic core cast relationships, network notes, demographics, etc.

And longer is better. In half an hour you're only going to hear anecdotes about how they got it made. In three hours you might learn about how they structured the show creatively so it could keep going year after year.

Don't be a snob about format changing. It's good to learn how to make a basic one hour drama and get it on TV. Picasso had to learn how to draw first. And David Chase started with THE ROCKFORD FILES.

By Blogger Alex Epstein, at 1:28 PM  

First, I am not no snob (LOL) and I loved “The Rockford files”.

Mentioning “Mad Men” and “BATTLESTAR GALACTICA” in the same sentence as “Heartland” might make us end this discussion right here. You cannot honestly believe the have equal relevance.

Heartland is fine. Horse and girls…I love them…and bet on both constantly.

What I am trying to say (very poorly) is really?

My first golf lesson was from a credited PGA pro. He was a pro because he took a 12-hour course. As a teenager he was impressive. Four years later when I beat him in a tournament not so much.

Learn from the mediocre and become so.

This is where you and I differ. I do not believe you can be taught to be a writer. You can teach the technique but not the talent. We all need to know structure, act breaks, etc…

I just think it is cruel to both of us to believe sitting in a room for three hours with the creators of “heartland” would teach us anything.

By the way the whole “Snob” comment was a low blow. I do not think ‘heartland” is beneath me. I just do not think it is that good. Sorry.

I commend the creators for getting a show on Canadian TV but do not believe that makes them immune to it actually being good.

“Picasso learned to draw first.” That’s my whole point. Fundamentals plus talent. I had to learn from my local PGA before I beat him.

“Heartland” is a success as ‘Little Mosque on the prairie” is funny. It is so Canadian to believe the idea is better than the execution.

“Mad Men” and “Heartland”…really? You need to drink more.

By Blogger DJ, at 2:45 PM  

Hey guy in the bourqua, "DJ" . What's your problem?, Too modest to reveal your blogger profile or name, golfing guy? You're a WGA member not WGC like these Heartland saps. Show us your colours so we can check out your ground breaking, format changing revolutionary creds on IMDb already.

By Blogger doreyme, at 3:55 AM  

Post a Comment

Back to Complications Ensue main blog page.



This page is powered by Blogger.