Cowboys and AliensComplications Ensue
Complications Ensue:
The Crafty Screenwriting, TV and Game Writing Blog




Archives

April 2004

May 2004

June 2004

July 2004

August 2004

September 2004

October 2004

November 2004

December 2004

January 2005

February 2005

March 2005

April 2005

May 2005

June 2005

July 2005

August 2005

September 2005

October 2005

November 2005

December 2005

January 2006

February 2006

March 2006

April 2006

May 2006

June 2006

July 2006

August 2006

September 2006

October 2006

November 2006

December 2006

January 2007

February 2007

March 2007

April 2007

May 2007

June 2007

July 2007

August 2007

September 2007

October 2007

November 2007

December 2007

January 2008

February 2008

March 2008

April 2008

May 2008

June 2008

July 2008

August 2008

September 2008

October 2008

November 2008

December 2008

January 2009

February 2009

March 2009

April 2009

May 2009

June 2009

July 2009

August 2009

September 2009

October 2009

November 2009

December 2009

January 2010

February 2010

March 2010

April 2010

May 2010

June 2010

July 2010

August 2010

September 2010

October 2010

November 2010

December 2010

January 2011

February 2011

March 2011

April 2011

May 2011

June 2011

July 2011

August 2011

September 2011

October 2011

November 2011

December 2011

January 2012

February 2012

March 2012

April 2012

May 2012

June 2012

July 2012

August 2012

September 2012

October 2012

November 2012

December 2012

January 2013

February 2013

March 2013

April 2013

May 2013

June 2013

July 2013

August 2013

September 2013

October 2013

November 2013

December 2013

January 2014

February 2014

March 2014

April 2014

May 2014

June 2014

July 2014

August 2014

September 2014

October 2014

November 2014

December 2014

January 2015

February 2015

March 2015

April 2015

May 2015

June 2015

August 2015

September 2015

October 2015

November 2015

December 2015

January 2016

February 2016

March 2016

April 2016

May 2016

June 2016

July 2016

August 2016

September 2016

October 2016

November 2016

December 2016

January 2017

February 2017

March 2017

May 2017

June 2017

July 2017

August 2017

September 2017

October 2017

November 2017

December 2017

January 2018

March 2018

April 2018

June 2018

July 2018

October 2018

November 2018

December 2018

January 2019

February 2019

November 2019

February 2020

March 2020

April 2020

May 2020

August 2020

September 2020

October 2020

December 2020

January 2021

February 2021

March 2021

May 2021

June 2021

November 2021

December 2021

January 2022

February 2022

August 2022

September 2022

November 2022

February 2023

March 2023

April 2023

May 2023

July 2023

September 2023

November 2023

January 2024

February 2024

June 2024

September 2024

October 2024

November 2024

 

Wednesday, August 03, 2011


Watched COWBOYS AND ALIENS last night with my friend Doug. I was surprised how good it was because the critics have generally disliked it for being cliche-ridden: badmen, a sheriff, wise Indians, tough cattle rancher, etc.

That's not really a fair criticism because C & A is a mash-up. It is intended to have all that cheesy Western goodness ... and aliens! Of course it has Indians. What kind of Western would it be if it had aliens and no Indians.

But actually, it's much better than that. It has a story that holds up well. It has surprises and twists, some of which are nicely foreshadowed.

The complaints, I think, come out of not understanding what the movie is. It is a horse opera with aliens.

By "horse opera," I mean it is not intended to be a realistic portrayal of anything. It is bigger than life, just as STAR WARS, a space opera, was bigger than life. Daniel Craig's Jake Lonergan is a capital B Badman with a heart. The opening scene is as good an opening for a Western as I've ever seen. Jake wakes up in the dust; can't remember how he got there; finds out he's wounded; finds out he's got an alien doodad on his wrist; is surrounded by bounty hunters; takes care of the bounty hunters; and rides off with their dog.

Sure, the "I can't remember who I am or how I got here" opening is not realistic, but that's not the point. Jake is the kind of hero we go to the movies to see. There is a point to seeing him 40 feet tall.

And it has really good characters. I draw your attention to Harrison Ford's character, Col. Woodrow Dolarhyde.

/* mild spoilers */

We first meet Dolarhyde through his awful son, a drunk who's shooting up the town. No one dares stop him because he's the son of Col. Dolarhyde, the rich local rancher. Then when Jake Lonergan (Daniel Craig) has a (very satisfactory) run-in with the punk, Dolarhyde comes to rescue his son and lynch Lonergan, who's stolen his gold.

We quickly get that Dolarhyde is dangerous. He's willing to torture his own people if he thinks they've betrayed him.

But Dolarhyde then embarks on a deftly scripted revelation of character. He is a badass. And he's mean. But we start to learn where he's coming from. He's seen towns slaughtered by Apache raids. He was an officer at Antietam where he lost 328 men in a day. He's mean because his world is mean. He takes care of an orphan in his own way -- giving the kid his own buck knife and giving him advice on how to use it. And later on we discover that his Indian scout, who he's so mean to, is in fact a boy he adopted after the boy's family was slaughtered.

It's not a transformation of character. He doesn't change as a person. But we discover that he has virtues. We realize that he's a man you don't want as an enemy, but who you do want next to you in a fight.

Harrison Ford does really a beautiful job with the role. Nobody's going to give him an Oscar for this part, because nobody gets an Oscar for a movie called Cowboys and Aliens. But this is the best acting I've ever seen him do.

I could go on about Ella Swenson (Olivia Wilde) and the nifty way the movie hints to us what her secret is (the minute she said "they took my people too," I knew). I could go on about the wide-eyed kid. I could mention the clever way the screenwriters get us over the bump of why aliens would come here looking for what they're looking for -- they hang a lantern on it and address it. But darn it, go see the damn movie. And to hell with the critics.

Labels:

2 Comments:

I think the problem is not that the characters are cliche, so much as the movie spends a lot of time with those characters doing nothing but interacting with each other. And because they are cliche, those interactions are boring and viewers notice that. The film is rubbing it in your face.

I'm all for the slow roll of a good Western, like last year's True Grit, but this ain't it.

The beats needed to come faster, not giving the audience time to dwell on the shallow characters.

So I think there is a good screenwriting lesson here, and when people say it's not a very good movie, they're correct.

But it certainly could have been.

By Blogger Scot Boyd, at 6:35 PM  

I liked the film, too, and that's helped by the fact that I entered it not expecting much. But unlike Scott, I felt the story's pace worked and the characters, for a film of this ilk, engaging.

I had a similar reaction to widespread panning of "Battle for Los Angeles." I didn't expected that film to be great, but it was entertaining. That was largely due to the grounded portrayal of the soldiers.

It's also interesting to watch a primitive technology take on an advanced one. George Lucas set the all-time low bar on that subject with "Stormtroopers vs. Teddy Bears."

By Blogger David, at 9:16 PM  

Post a Comment

Back to Complications Ensue main blog page.



This page is powered by Blogger.