Complications Ensue:
The Crafty Screenwriting, TV and Game Writing Blog




Archives

April 2004

May 2004

June 2004

July 2004

August 2004

September 2004

October 2004

November 2004

December 2004

January 2005

February 2005

March 2005

April 2005

May 2005

June 2005

July 2005

August 2005

September 2005

October 2005

November 2005

December 2005

January 2006

February 2006

March 2006

April 2006

May 2006

June 2006

July 2006

August 2006

September 2006

October 2006

November 2006

December 2006

January 2007

February 2007

March 2007

April 2007

May 2007

June 2007

July 2007

August 2007

September 2007

October 2007

November 2007

December 2007

January 2008

February 2008

March 2008

April 2008

May 2008

June 2008

July 2008

August 2008

September 2008

October 2008

November 2008

December 2008

January 2009

February 2009

March 2009

April 2009

May 2009

June 2009

July 2009

August 2009

September 2009

October 2009

November 2009

December 2009

January 2010

February 2010

March 2010

April 2010

May 2010

June 2010

July 2010

August 2010

September 2010

October 2010

November 2010

December 2010

January 2011

February 2011

March 2011

April 2011

May 2011

June 2011

July 2011

August 2011

September 2011

October 2011

November 2011

December 2011

January 2012

February 2012

March 2012

April 2012

May 2012

June 2012

July 2012

August 2012

September 2012

October 2012

November 2012

December 2012

January 2013

February 2013

March 2013

April 2013

May 2013

June 2013

July 2013

August 2013

September 2013

October 2013

November 2013

December 2013

January 2014

February 2014

March 2014

April 2014

May 2014

June 2014

July 2014

August 2014

September 2014

October 2014

November 2014

December 2014

January 2015

February 2015

March 2015

April 2015

May 2015

June 2015

August 2015

September 2015

October 2015

November 2015

December 2015

January 2016

February 2016

March 2016

April 2016

May 2016

June 2016

July 2016

August 2016

September 2016

October 2016

November 2016

December 2016

January 2017

February 2017

March 2017

May 2017

June 2017

July 2017

August 2017

September 2017

October 2017

November 2017

December 2017

January 2018

March 2018

April 2018

June 2018

July 2018

October 2018

November 2018

December 2018

January 2019

February 2019

November 2019

February 2020

March 2020

April 2020

May 2020

August 2020

September 2020

October 2020

December 2020

January 2021

February 2021

March 2021

May 2021

June 2021

November 2021

December 2021

January 2022

February 2022

August 2022

September 2022

November 2022

February 2023

March 2023

April 2023

May 2023

July 2023

September 2023

November 2023

January 2024

February 2024

June 2024

September 2024

October 2024

November 2024

 

Monday, November 29, 2004

TRAIN WRECKS

/* MILD SPOILERS */

On Everwood tonight, Ephraim lies to Amy that he's sick, because he wants to go see his ex-girlfriend's band playing.

I hate plotlines like this because you can see the train wreck coming. The writers are taking the rails apart right in front of you, and you're just waiting for the 8:47 to come round the bend. And even if by some miracle Ephraim does not get busted for lying to Amy, throughout the ep I'm dreading the moment when Ephraim gets busted, so I can't really enjoy the story line.

I wonder if this is just because I'm a writer, and I see it coming? Or is the audience as sick of this kind of lazy plotting as I am?

Watched Boston Legal. With David E. Kelley you have a slightly different problem. You know the writers are not going to be allowed the easy way out. So you're wondering what the twist is. So when, for example, there's a plotline about a client who talks about murdering his wife, the one thing you know won't happen is for the lawyers to come to her house and find he's murdered her. You can probably guess what the twist is -- I did.

In the Everwood story, Ephraim busts himself in the end, and gets no credit for it with Amy. At least that had emotional coherence: he busts himself because he feels guilty about lying to her in the first place. What I can't stand is when characters get busted because they're on TV and we have to wrap it all up inside an hour. I guess one reason I like Gilmore Girls so much is you don't know where the story's going until the story's already got there. Then you go, wow, yeah. That's a hell of a story. Until then you're wondering where Amy Sherman Palladino is headed with it. Nice work, Amy.

1 Comments:

I definitely saw the Boston Legal plot twist coming a mile away. In several respects the plot reminded me of something that would have happened on The Practice....but I definitely knew who was going to be killed, and I knew who the killer would be. It was interesting, but not surprising, and consequently I wasn't surprised when the show lost about half its lead-in's numbers in the ratings.

And we're eight episodes into the series, and I am already tired that all the women are lusting after Alan. Alan's great, but no one's that great.

--Jeff

By Anonymous Anonymous, at 4:17 AM  

Post a Comment

Back to Complications Ensue main blog page.



This page is powered by Blogger.