Well thank you, Commodore Crafty.
One of my favorite movies ever is Goodfellas. I just think it's a crackerjack of a movie. It's a black hole for me every time it's on tv. If I flip by it, I have to watch it, no matter how far in it is. It's Scorsese at the top of his game and I'm powerless to resist it. I've seen Goodfellas probably as many times as I've seen Casablanca.
And it's never taught me a damn thing.
I'm not the first person to suggest that you learn more from failures than from successes. But it's my contention that it's actually very hard as a Tv or Film writer to learn how to be better from reading great screenplays or scripts. If you're a budding director, maybe -- although even then it's more likely that it will just teach you how to ape that director's style. Good if you're talking Goodfellas Scorsese. Kundun Scorsese, ehh...
But in various incarnations as script reader for CBC and teacher at Ryerson, and story editor for this and for that I've had occasion to read a lot of bad scripts. And the process of spotting why they're bad, or why lots of scripts are bad -- well, it teaches me something new every time.
I've found the same thing applies to the wonderful new found resource that is the TV series on DVD.
Now that studios have seen the dollar signs we're starting to see some real quirky choices crop up as they empty their back catalogues. Again, other than as a resource, I'm not sure what one can really learn from watching a show like Friends. But the short run series, brilliant or flaws, the ones that never catch on...well...those can be a goldmine.
I first noticed this phenomenon with FAMILY GUY. I watched this show regularly when it was on FOX and enjoyed it. But like everybody else I was intrigued when the Cartoon Network airing and DVD sales revived the dead series -- made it more popular than it ever had been before. It's easy to say that Fox screwed up in things like scheduling and promotion. But unlike Futurama, a show I really did give up on, my recollection is that promo for Family Guy was always fairly abundant.
So why did it take DVD to boost the series' popularity -- to the point even where it's back in production?
Well watching the DVD's gave me a clue.
FAMILY GUY LEADS THE WAY
Family Guy is a remarkably chaotic piece of work. Both The Simpsons and South Park will go some distance for the joke, but not nearly as far as Family Guy. What I mean by that is Family Guy will regularly derail plot in exhaustingly paced gags that go further and further off the beam. it truly is an animated series for those with ADHD. And I think that, and not Fox chicanery, is why it took so long to catch on. It needed the Cartoon Network strip constant exposure, and multiple viewings, and later, DVD's ability to pause and rewind and watch again immediately, to hook and keep most viewers. The show simply moves too fast, and engages in too many comic non sequitirs, for most to cotton onto it on the first viewing. So it makes perfect sense to me that people would discover its hit and miss anarchic charms after market, off air, on DVD. It will be interesting to see if comedies speed up in a world where everyone can just Tivo back five seconds and catch up on a joke you missed.
MARTIN SHEEN, ROB REINER, AND LATELINE
Lateline is a show I remember seeing on its original run, in 1997. Ah, 1997. Bill Clinton was in power but I don't think...nope...we didn't care about the blue dress yet, did we? Budget surplus. No war. The power to care about malfeasance in real estate deals. God, we were so much younger then, we're older than that now...anyway...Lateline was, I'm guessing, Al Franken's pre-Air America days' attempt to sock it to late night news pomposity. It was probably also NBC's attempt to counter Sports Night, which was a critical if not a ratings darling for ABC at the time.
Lateline's 13 episodes are now out on DVD. I've only watched a few of them back, but I've seen several of the episodes that I never saw when they first aired. They may have never aired for all I know.
Lateline starts out as a very anemic standard office sitcom. Megyn Price (pre-Grounded For Life) is suitably sexy as Gail, the Mary Richards stand in...The always entertaining Miguel Ferrer is her boss and sparring partner. Al Franken is Freundlich, who is probably the worst part of himself, and a lite version of the Albert Brooks character from Broadcast News. Robert Foxworth is spot on as the vain anchor. There is a horrendous laugh track. And watching the first two episodes of this sitcom, it's easy to see why it went for the high jump.
But the great thing about DVD is that you don't have to wait a week and really, who's going to wait a week for a show they were lukewarm about? But on DVD you can see as Lateline makes the most of its stunt casting. You have G. Gordon Liddy as himself. You have Conan and Andy Richter in a hilarious subplot. But the piece de resistance is a half hour episode where they break the format completely.
it's presented as a "Lateline" piece on the Hollywood blockbuster that never was. Franken's character gets a bit part on a major Hollywood summer picture shooting in Washington DC, playing a reporter. The Lateline crew gets to shoot a behind the scenes. Anybody who's read Julie Salomon's Devil's Candy on the making of Bonfire of the Vanities knows what happens next. Franken's character ingratiates himself with the actors, and under the guise of being 'realistic' and wanting greater 'realism' -- slowly sinks the entire picture. The great thing about it is that the actor playing the President of the USA in this movie is Martin Sheen -- a full two years or so before West Wing. And he's the evil Martin Sheen -- the worst, actor-y version of himself. The director is Rob Reiner. I laughed so hard I nearly cried. I'm going to enjoy watching the rest of Lateline. G. Gordon Liddy getting shot is pretty fun, too.
WONDERFALLS
Soft spot for me. Toronto shot - this is the show that amazingly covers the exact same ground as Joan of Arcadia. One hit, one bombed. I'm still trying to figure out why. Any guesses? I think they've got a crack cast. You've got Tim Minnear and Bryan Fuller and Todd Holland. Funny, literate scripts and a very believable and compact world, in and around Niagara Falls. This is selling really well right now, so it may just be that this is next series that people discover and say, "why was that cancelled?" It's nice to know that one part of the corporate behemoth - that drives the profits, just may call attention to how often the network emperors have no clothes.
Oh but wait. That's what bloggers always say--blame the man. The fact is that no one watched Wonderfalls. Or Family Guy. Hmm. Could DVD really change everything?
Next couple of weeks sees the DVD debut of the first season of Murphy Brown. I loved this show more than cheese. I wonder if it will hold up?