TRACKING EXPECTATIONSComplications Ensue
Complications Ensue:
The Crafty Screenwriting, TV and Game Writing Blog




Archives

April 2004

May 2004

June 2004

July 2004

August 2004

September 2004

October 2004

November 2004

December 2004

January 2005

February 2005

March 2005

April 2005

May 2005

June 2005

July 2005

August 2005

September 2005

October 2005

November 2005

December 2005

January 2006

February 2006

March 2006

April 2006

May 2006

June 2006

July 2006

August 2006

September 2006

October 2006

November 2006

December 2006

January 2007

February 2007

March 2007

April 2007

May 2007

June 2007

July 2007

August 2007

September 2007

October 2007

November 2007

December 2007

January 2008

February 2008

March 2008

April 2008

May 2008

June 2008

July 2008

August 2008

September 2008

October 2008

November 2008

December 2008

January 2009

February 2009

March 2009

April 2009

May 2009

June 2009

July 2009

August 2009

September 2009

October 2009

November 2009

December 2009

January 2010

February 2010

March 2010

April 2010

May 2010

June 2010

July 2010

August 2010

September 2010

October 2010

November 2010

December 2010

January 2011

February 2011

March 2011

April 2011

May 2011

June 2011

July 2011

August 2011

September 2011

October 2011

November 2011

December 2011

January 2012

February 2012

March 2012

April 2012

May 2012

June 2012

July 2012

August 2012

September 2012

October 2012

November 2012

December 2012

January 2013

February 2013

March 2013

April 2013

May 2013

June 2013

July 2013

August 2013

September 2013

October 2013

November 2013

December 2013

January 2014

February 2014

March 2014

April 2014

May 2014

June 2014

July 2014

August 2014

September 2014

October 2014

November 2014

December 2014

January 2015

February 2015

March 2015

April 2015

May 2015

June 2015

August 2015

September 2015

October 2015

November 2015

December 2015

January 2016

February 2016

March 2016

April 2016

May 2016

June 2016

July 2016

August 2016

September 2016

October 2016

November 2016

December 2016

January 2017

February 2017

March 2017

May 2017

June 2017

July 2017

August 2017

September 2017

October 2017

November 2017

December 2017

January 2018

March 2018

April 2018

June 2018

July 2018

October 2018

November 2018

December 2018

January 2019

February 2019

November 2019

February 2020

March 2020

April 2020

May 2020

August 2020

September 2020

October 2020

December 2020

January 2021

February 2021

March 2021

May 2021

June 2021

November 2021

December 2021

January 2022

February 2022

August 2022

September 2022

November 2022

February 2023

March 2023

April 2023

May 2023

July 2023

September 2023

November 2023

January 2024

February 2024

June 2024

September 2024

October 2024

November 2024

 

Monday, April 04, 2005

I had a lovely interview with Melinda Hsu, a young story editor on Medium. One of the things we talked about was tracking audience expectations.

The audience is pretty well attuned to writer tricks. There was a CSI where a woman in a red dress was murdered at a dance. One of the first characters to be interviewed by the forensics guys was another woman in another red dress, who then dropped out of the story. And there was some really helpful guy who really wanted to help the investigators.

Guess what? Yes, you guessed it. The really helpful guy did it. And he hadn't meant to kill the woman in the red dress. He'd meant to kill the other woman in the other red dress.

I mean, how often do you see two red dresses by accident in a tv show?

Now the thing is, the audience is attuned to this. They've probably seen even more television than you have. After all, you're reading a blog, and they're watching television. While you write, they watch television. While you cook, they watch television.

They see two red dresses, and the exact same thing is going on in their head -- there's gonna have been some mixup between the two dresses.

How do you deal with that?

First of all, you have to decide whether you want to tip off the audience. After all, in a mystery, the audience likes to figure it out for themselves and get a little ahead of the investigators. So long as you're not too blatant with that other red dress, the ones that figure out what really happened will be tickled pink, and the ones that missed it will feel very very satisfied that a second red dress was waved in front of their faces and they didn't get it.

I think a lot of people like to get ahead of poor Jack Bauer on 24. Every time he goes somewhere, he calls for backup. Lots of it. Except when he's going to get jumped. So if he goes somewhere dangerous without backup, you know he's going to get jumped. He, apparently, doesn't. (Not after three very long days of getting jumped every other hour. Silly boy. You'd think he'd learn.)

That's one kind of storytelling. It's more cerebral -- obviously knowing more than your hero is a little alienating, in -- no -- trying to restrain myself -- can't -- can't -- "in a Brechtian sense!" -- damn. Sorry.

If you're not looking at the world with your hero's eyes, you'll feel less for the hero than you will if you are.

In that case, you have to be careful. Do you offer the audience clues in advance? Or not? Procedurals like NYPD Blue give you the information the moment the detectives beat it out of their suspects. So you never see the clues before they do. Medium is about Alison's trying to figure out what her precognitive dreams mean, so while we get the clues when she does, we too don't know what they mean, exactly.

Other detective shows give you the clues but don't hang a sign (or a red dress) on them. They have to be careful, because the audience can sniff out any but the most subtle setups.

Another way you have to track your audience's expectations is when you expect them to root for or against something. You can't hang a story on a threat to the life of a core cast member -- not unless you're willing to run one of those teaser campaigns, "One of our core cast will die tonight!" The audience knows perfectly well that Jack Bauer or Andy Sipowicz or Sydney Bristow is not going to die. So don't expect them to get their panties in a knot if you threaten their lives. If you're going to threaten someone's life, have it be a recurring cast member.

I like to think that "the audience doesn't know, but they know." Who's going to win the election on West Wing, Alan Alda or Jimmy Smits? Gee, that's not too tough, is it? Especially when Alan Alda is playing every Democrat's dream Republican -- a nice twist on Martin Sheen playing every Democrat's dream Democrat. Do you think the West Wing audience is seriously going to waste energy rooting for Jimmy Smits? I don't.

UPDATE: based on the last West Wing and reader's comments below, I'm wrong about Jimmy Smits. But you knew Hoyns wasn't going to take it, or Russell, or Baker. 'Cause they're not stars, and you can't see them headlining the cast next year. I do think that if Alan Alda wanted the job, he'd get it.

I'd be fascinated to find out what personnel changes got West Wing back on its game.

1 Comments:

Melinda Hsu was credited with writing my favorite episode of Medium, so good work on getting the interview with her.

Alan Alda has been adamant that he doesn't want to be a regular next season, and he's said he's contracted for only five episodes next season. And polls have regularly shown that viewers prefers Smits' character over Alda's for the race. So I wouldn't be so sure about the end result of the race just yet.

By Blogger Peter, at 10:46 PM  

Post a Comment

Back to Complications Ensue main blog page.



This page is powered by Blogger.