NETWORK OR PRODUCER? - Complications Ensue
Complications Ensue:
The Crafty TV and Screenwriting Blog




Baby Name Voyager graphs baby name frequency by decade.

Social Security Administration: Most popular names by year.

Name Trends: Uniquely popular names by year.

Reverse Dictionary Search: "What's that word that means....?"

Facebook Name Trees Match first names with last names.


American Amazon:

Canadian Amazon:

Archives

April 2004

May 2004

June 2004

July 2004

August 2004

September 2004

October 2004

November 2004

December 2004

January 2005

February 2005

March 2005

April 2005

May 2005

June 2005

July 2005

August 2005

September 2005

October 2005

November 2005

December 2005

January 2006

February 2006

March 2006

April 2006

May 2006

June 2006

July 2006

August 2006

September 2006

October 2006

November 2006

December 2006

January 2007

February 2007

March 2007

April 2007

May 2007

June 2007

July 2007

August 2007

September 2007

October 2007

November 2007

December 2007

January 2008

February 2008

March 2008

April 2008

May 2008

June 2008

July 2008

August 2008

September 2008

October 2008

November 2008

December 2008

January 2009

February 2009

March 2009

April 2009

May 2009

June 2009

July 2009

August 2009

September 2009

October 2009

November 2009

December 2009

January 2010

February 2010

March 2010

April 2010

May 2010

June 2010

July 2010

August 2010

September 2010

October 2010

November 2010

December 2010

January 2011

February 2011

March 2011

April 2011

May 2011

June 2011

July 2011

August 2011

September 2011

October 2011

November 2011

December 2011

January 2012

February 2012

March 2012

April 2012

May 2012

June 2012

July 2012

August 2012

September 2012

October 2012

November 2012

December 2012

January 2013

February 2013

March 2013

April 2013

May 2013

June 2013

July 2013

August 2013

September 2013

October 2013

November 2013

December 2013

January 2014

February 2014

March 2014

April 2014

 

Wednesday, June 15, 2005

We have been approaching the [Canadian] networks as writers, with the suggestion that if they like the material they can let us know which producers they respect and like working with. At which point, perhaps we would have a much better negotiating position for the option.

Is this foolish? Is it sort of like a man being his own lawyer? Can our inexperience screw up the network courting process? Should we go to producers first and let them sell the ideas to the networks?
As you've figured out, if you bring your show to a production company with a network interested, you can make a much better deal for yourself, but if you take the show to a network before you've got a producer, (a) the network may be less likely to take the project seriously, and might reject it out of hand and (b) the network might stick you with a producer you don't like or who, more importantly, doesn't like you. On the other hand, if you get the wrong producer attached first, he can screw up the submission to the network, or he may be in trouble with the network, and your project can get killed by being associated with him. (Though there, at least, you get a little option money.)

Oh, the humanity.

I prefer to go to a producer I like first. I'm attaching myself to my projects as a showrunner. Bringing a producer on board tells the network that here's a producer who's comfortable with me in that position, and who'll carry the show if I don't meet the challenge. It makes the show easier for the network to say yes to. It allows me to pick a producer I know, with whom I have a good working relationship or at least a good chemistry. Also, because I've got a deal in place with the producer, it makes it harder for the network to reject the goodies I've negotiated for myself.

On the other hand, I would only take a project to a producer after satisfying myself that he is welcome at the network I think is the right home for the show. So there's a bit of touching base before I actually offer the show to a producer. On the show I'm doing with G_______, I actually pitched the project orally at C___, then asked what producers they liked. They were kind enough to give me a list of companies they take seriously. So based on the list and my prior relationship, I offered it to G_______, and then I took it back to C___ as an official submission with an approved producer attached.

Your agent can help here if you don't have the contacts to ask these questions yourself.

I don't feel that networks really love a naked submission. It leaves them too much work to do. Sure, they can send it to their favorite producer, but that's too much of a commitment for a network exec. What if the producer rejiggers the show so they don't like it any more? How do they reject it then? Much better to wait until the project comes in officially.

You can make as good a deal as you insist on, though, whether or not a network is attached, so long as your project is strong. The key to a good deal is asking for low up-front numbers against lots of protections and money later. If you ask for a lot of option money, the producer's paying for it himself, so he's not going to give you much else. But if you go easy on the option money demands, then you can ask for more when the show goes. That's not the producer's money anyway. It comes out of the budget. What does he care?

0 Comments:

Post a Comment

Back to Complications Ensue main blog page.



This page is powered by Blogger.