The new Bibliothèque National has yards of graphic novels, so I'm reading
Hellblazer and
The Preacher, comix which I've dipped into from time to time, but rarely bought, because comix are an expensive habit. Ten dollars worth of comix go by in about an hour at the pace I read. Which is probably too fast. I always want to know
how things turn out. I'm sure that the point of the graphic novel medium is to luxuriate in the artwork, because otherwise why would you need the artwork at all?
To be honest I generally try to avoid buying books, either. I just read them too fast, and I rarely reread them, so what is the point of having them on the shelves? Bearing in mind that Lisa and I already have six tall bookshelves packed with books we might possibly need again at some point, like dictionaries and John Brunner novels, plus more books in boxes in my parents' house. And while I could no doubt afford more books, we don't have walls for more shelves.
Besides, buying books seems so, well, 20th Century. Circulating them is where it's at.
I have tried to learn to read more slowly, along the way to generally enjoying life in the moment more, and not trying to hasten on to the end, which is, after all, the end. But old habits die hard. I read a feature screenplay in about twenty minutes.
I guess that's one thing I like about the dramatic arts. I don't fast forward through the plots. I'm forced to appreciate the story at the intended pace. (Though my DVD player has a nifty 1.2x speed setting that keeps dialog perfectly clear.)
I've noticed, though, that quite a few writers I respect are graphic novel fans. Joss Whedon talks about how he has to send his assistant to Golden Apple when he's too busy ("how lame is that?" quoth the Joss). John Rogers, obviously. Kevin Smith, who bought hisself a comic store after he scored his f***-you money early on. And then there are story tellers
out of comics, like Neil Gaiman and, I am told, director JP Jeunet.
I wonder how fast they read their comics?
I wonder what they're reading, and why?