Complications Ensue: The Crafty TV and Screenwriting Blog


Dead Things on Sticks: Denis McGrath is on fire in Toronto.

Jane Espenson wrote Buffy. She worked with Joss, baby. And she's all about screenplay craft.

Kung Fu Monkey: John Rogers is one of the top writers in LA.

Kay Reindl From the heart of Tee Vee.

Jill Golick blogs about pilots.

By Ken Levine: Top sitcom dude (M*A*S*H, Cheers, Simpsons, Frasier). He knows.

The Artful Writer: Thought-provoking posts for pro writers from a WGA honcho.

What It's Like by Lisa Klink. Credit list as long as your arm.

How to Buy Art. Lisa Hunter blogs intelligently and wittily about the art market. And you can ask her questions.

Victoria Lucas is one of the rare development people who understand how scripts really work, and can show you how to make yours structurally better. I treasure her insights. You will too.

BabyName Wizard NameVoyager

Social Security Administration: Most popular names by year.

Name Trends: Uniquely popular names by year.

Will Dixon.

Doris Egan's LiveJournal. House, Tru Calling, etc.

Creative Screenwriting. Podcasted interviews with fascinating screenwriters.

John August: Screenwriter of Charlie's Angels and Big Fish.

DISC/ontent: blogs about direct to DVD movies. Bracing.

Ni vu ni connu: Martine Page is a working Montreal screenwriter

Danny Stack, chipping away at his keyboard across the Pond.

The Thinking Writer: Jon Deer went through pretty much the same mill I did, and has a lot of helpful stuff to say.

Fun Joel: Joel's a professional script reader. In other words, he'll be reading your script. So listen to what he says.

Chad Gervich's Script Notes. Writer's Digest-sponsored site from a veteran development executive.

The Legion of Decency. A producer's blog!

Alligators in a Helicopter by Scott the Reader.

Shouting into the Wind. Showbiz news'n'gossip.

Screenplay Europe: Reports on festivals, grants, and other Euro bon-bons.

Scrivenor's Error: Legal issues involved in writing.

The Futon Critic: What's in development? What's on TV?

TV Tattle: Thought-provoking articles about TV gathered from all over.

Episode Guides

TV.com: Episode guides and cast and crew lists.

TV, Eh?What's doing on Canadian TV.

EntertainmentCareers.Net: Looking for a job in the biz?

ShowBizJobs.Com: Ditto.

Amanda the Aspiring Writer. Amanda works at an Agency. Go Amanda!

101. My intrepid assistant's blog.

Bluestocking LA - The Life and Times of a Writer and New Mom in LA

Creatively Progressing

Andy Coughlan is writing screenplays and producing short films.

Shouting into the Wind.

NY Times / Arts / Television

Scriptland: series in the LA Times.

Daily Variety

The Onion AV Club and its archives.

The WGA interviews writers.

Famous Films Re-Enacted by Bunnies in 30 Seconds

The ComicBloc.

Andy Diggle. A great entertainer, a great humanitarian, and a personal friend of Johanna Constantine.

Justin Gray. A great entertainer, a great humanitarian, and a personal friend of Jonah Hex. Er, if anyone is.

Kody Chamberlain. Nice, really gruesome art.

Glenn Hauman, assistant editor on Grimjack and others...

David Bishop, who is trying to make the leap to the screen...

Reverse Dictionary Search: "What's that word that means....?"

Most Popular Baby Names by Year, courtesy the Social Security Administration

Baby Name Voyager graphs baby name frequency by decade.



American Amazon:

Canadian Amazon:

 

Wednesday, January 17, 2007

Q. Lots of movies have a big reveal at the end. How do you do the hook for a movie of this sort?

The particular case that I'm interested in is "The Odessa File." (SPOILERS...) This begins as an "ordinary man" story, where a guy gets roped into a situation simply because he happened to be the one who found some information and decided that he needed to do something about it. But there's a big reveal at the end where it turns out that he actually had an intimate personal connection to the story. So, what looked through most of the movie like the sort of poorly motivated action that mediocre movies are full of, was actually very powerfully motivated.
Unfortunately, that's not a hook, because you can't put it in your query letter without spoiling the reveal.

The Odessa File probably got made because the book was a Frederick Forsyth bestseller. And so far as I can tell from Amazon, the book does have a hook -- something like, "After the inexplicable suicide of a Holocaust survivor, a reporter uncovers ODESSA, a secret organization devoted to hiding Nazis..."

And The Others has a hook -- if I remember the opening right: After the panicked departure of her nanny, a woman with two children who must not see the light of day hires a mysterious couple who may actually be ghosts...

And The Sixth Sense has a hook, too: "a psychiatrist tries to help a boy who can see dead people."

Whereas The Village doesn't have much of anything until the reveal. (And even that doesn't do much, even if you can't see it coming about a mile away.) But it got made because the writer/director had written and directed the massive hit The Sixth Sense.

Even if you have a cool reveal that turns everything on its head, you still need a hook.

Incidentally, if you are going to have a big reveal, it's fun to drop a few otherwise inexplicable hints that keep the audience wondering what the explanation for them is going to be -- that pulls them into the story. Especially if (as in The Sixth Sense or The Others) the movie still works if you know the reveal.

0 Comments:

Post a Comment

Back to Complications Ensue main blog page.



This page is powered by Blogger.