Friday, June 30, 2006

HAPPY INDEPENDENCE DAY EVERYBODY

Some of you, I know, only check this blog at work. So here's wishing you a happy Fourth of July.

One thing I like to do on July Fourth is read the Declaration of Independence. Out loud. To a crowd. Preferably around a barbecue.

It is a stirring document. It was meant to be. I'm sure the moment it was signed, thousands of copies were run off at Ben Franklin's printing press and rushed to all the towns of North America. And over the next week or so, there would have been gatherings all across the 13 colonies -- and probably in Upper and Lower Canada too -- where someone stood up and read these words:
When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness. --That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, --That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness.
And then they would have talked it over. And argued it over. And dissected it. And debated it. Because the whole reason for the Declaration of Independence was that in the thirteen colonies, it mattered what the people thought. They would either have to take arms to support the document. Or relinquish the rights it was demanding.

It is a serious document. It must have scared a lot of people, because it was asking a lot of everybody. After the Declaration, it became very hard to be a neutral. You were either a Loyalist or a Patriot.

I was going to quote less, but it's hard not to simply quote the whole thing. What would you cut?

It is a document both rash and wise.

Rash, because at the time you would have been hard pressed to find a European outside of a university who agreed that all men are created equal. An Iroquois, sure. The Native Americans couldn't understand why some settlers were born "gentlemen" and others weren't. But a European? All men were born to their appointed station in life. While one could change one's station, it was a good thing if everyone stayed where they belonged. And yet the signers called it "self-evident" that all men deserve the same shot at the good life.

But wise, because it essentially says, hey, we're not going off half-cocked here. When you blow up your government, you better have a good reason. And we've got reasons -- "abuses and usurpations." We've been pushed past the limits of our endurance. And we owe the world an explanation for what we're doing.

I can't read through the whole document without choking up. Or getting angry at King George and his Parliament:
He has affected to render the Military independent of and superior to the Civil power...
For depriving us, in many cases, of the benefits of Trial by Jury ...
For transporting us beyond Seas to be tried for pretended offences...
It's worth remembering, on Independence Day, just what the United States of America meant as an idea; and what it is supposed to mean now. They weren't just declaring independence from George III, they were declaring independence from a whole tradition of one-man rule, from class divisions and from arbitrary justice.

They were also declaring independence for.

For what? And did they succeed?

Worth pondering as you sip your margaritas and grill up your burgers over the long weekend.

Y'all have fun now, hear?

VERY NICE REVIEW OF THE BOOK

Bill Cunningham has a very nice, snappy review of Crafty TV Writing on his blog today...

Wednesday, June 28, 2006

N Y U? N Y NOT U?

Last night I got to listen to myself interviewed on radio. I really enjoyed talking to Darren Levy of WNYU (89.1 in New York). He'd read the book, and he had smart questions that helped me bring out some of what the book has to say, and hopefully answered some of the questions the audience had. You can listen to the show streamed, or download the podcast. It's about half an hour long.


If you guys have any comments or questions about the podcast, please feel free to put them in the comments below.

UPDATE: You can download the last minute (and the answer to the last question) at Darren Levy's Angelfire page. Weirdly, you have to go to this page first, and then go to the next page by putting the following URL into your browser window: http://www.angelfire.com/punk4/darren/aepsteinsecret.mp3.

THE PARTY NEVER STOPS

We had the New York book launch this evening. A very different crowd -- this was a private do, for my friends, and for all of my parents friends who have watched me grow up over the years. I was definitely feeling the love. Also, I sold out my books. I think I'm almost out of copies of my first book, even.

It was great to see my editor, the lovely and talented Flora Esterley, and my publicist, the wily Sarah Klenakis, and her associate, the wired Jason Liebman, and get a chance to offer them some drinks on the house and introduce them to my peeps. Also we got to fête Lisa's various editors for her book (she's on her third editor now) and show the ladies of Crown that we know how to put on a show.

All round, great fun. Sorry you missed it, Ken! Now CRAFTY TV WRITING is well and truly launched, and you all know where to find out how to think inside the box...

Tuesday, June 27, 2006

MONTREAL BUBBLE BATTLE

SUNDAY, JULY 2 @ 3:00 PM, PHILLIPS PLACE, MONTREAL

Metro: McGill

This Sunday, millions of bubbles fill the sky as we rally at Phillips Place for a massive bubble battle! Beautiful bubbles glimmer and shimmer as the wind carries them in an enchanting, cross-country dance. Join us at 3:00pm with your wildest toys (+ cameras) and let the bubbles soar!

http://www.robotpilot.com
http://www.newmindspace.com
'Nuff said.

Monday, June 26, 2006

THOSE CRAZY HOLLANDERS

[POLITICS]
According to the United Nations, 5.2 percent of Dutch 12 and older had used marijuana or hashish in the past year -- less than half the 12.3 percent rate in the United States.

So few Dutch youth are trying heroin that the average age of new addicts in the Netherlands has risen to 33. Cocaine use also is significantly less than in the United States.

"The separation of hard and soft drugs has helped keep people out of the drugs that really marginalize you from society," says Janhuib Blans of Jellinek, a Dutch organization that runs drug prevention, counseling and treatment programs.

Despite the statistics, Gen. Barry McCaffrey, President Clinton's drug czar, called the Netherlands' drug policy "an unmitigated disaster."
Article in the St. Petersburg (Florida) Times
I've been to Amsterdam. I've been in those coffee shops. And you know what? I didn't smoke up a jay. But I will observe that marijuana, magic mushrooms and prostitution are all legal in Amsterdam and it is one of the most civilized cities I've ever been in. I've never felt safer, not even in Montreal. The streets aren't cleaner, not even in Toronto. Crowds of Czech soccer fans dressed in red were energetically not getting in fights with crowds of Netherlands soccer fans dressed in Orange.

I liked Amsterdam.

Here in Canada, of course, we've legalized gay marriage, and do you know what? Civilization has not collapsed. (Marriage has collapsed in Quebec, but that happened about 20 years ago, when people decided they didn't need the formality. Now we have the most amicable divorces anywhere. People break up, and make a point of living on the same street as each other so the kids can walk back and forth.)

Food for thought.

Oh, and Canada has a budget surplus.

FOLLOW THE PAIN

I'm revising Unseen, which had felt a little young. A 16 year old protagonist doesn't have to mean a tween movie. Just look at Harry Potter. I think what makes a tween movie is soft jeopardy. E.g. What a Girl Wants the jeopardy is ... her father's relations won't like her. Ironically movies for kids usually have harder jeopardy, e.g. the protagonist's death. And, in this case, the jeopardy ought to have been there. Her mother was in danger of death. Her father (whom she hadn't known was alive) was in danger of death. And she was up against deadly critters. Yet, somehow, it felt young.

Part of the problem was I was taking the fear for granted. I wasn't selling the emotion. When the situation implies danger, the actor will give you fear on screen. But to get past the reader, you have to sell it. You have to give us the hero's reactions. If her dialog is tough, you have to show us that she really is scared in spite of the tough talk.

I wasn't doing that enough.

Another thing that was getting in the way of feeling adult was that I was taking the supernatural situations for granted. The story's about a girl thrust into a situation she would previously have thought was the stuff of fairy tales. And I jumped the gun on that. As I wrote it, I wasn't very interested in the experience of the heroine doubting the reality of her situation. After all, I knew it was real. So I emotionally fast-forwarded through those scenes.

Consequence: hard to take the situation seriously. Because the heroine wasn't taking it seriously.

Now I'm letting the moments where she doubts her own grasp on reality breathe. And it's feeling much more grown-up.

Unless you're an actor, you probably try to avoid emotional pain in your life. But emotional pain is compelling on screen; it is the basis for drama. If you elide the pain, you'll throw a wet blanket on the drama. That gets you a James Bond movie. Which is okay, if you have $200 million to spend on spectacle. And even then it's not that great.

Follow the pain. If something in a scene is pushing you away -- is urging you to skip ahead, is making you uncomfortable -- that's a good sign that you're on to something. Push back. Push into the pain. That's going to provide a compelling scene.

Sunday, June 25, 2006

THE SECRET LIFE OF ARABIA

We're watching Lawrence of Arabia. One thing I'm particularly loving is how the English dialog manages to convey the feeling for the Arabic that the characters are (really) speaking without ever feeling stilted. What made Lawrence so effective was his true mastery of Arabic -- not just the language, but its idioms, its way of thinking, its worldview. The cinematography of the desert is beautiful, but Bolt's understanding of how a powerless madman like Lawrence with a perfect understanding of the Bedouins manages to whip, wheedle and forge them into an army using just words ... well, it is a thing of far rarer beauty. I am struggling to think offhand of a movie whose dialog is so consistently excellent. Worth another look if you haven't seen it in the past five years.